![]() ![]() ![]() At the end of the poem, time became stagnant for him and it is as if it was just his imagination and dream. A modern educated man’s experiences of weariness, regret, embarrassment, longing, emasculation, sexual frustration, sense of decay, and awareness of mortality are po r trayed in his character. He has no confidence even to woo a woman as he is afraid of what women will think of him. I grow old" in one of the line in the poem again shows Prufrock insecurity that hides deep inside him. As Prufrock walks alone during his lonely night journey looking for accompaniment, he describes that people are wearing masks to chase after the superficial world, trying to climb up the social ladder and trying to be looked up upon to. In the third stanza of the poem, loneliness, isolation and quietness are being shown to the readers. The last line of the poem suggests that in his personal isolation, Prufrock will "drown" (130), as the mermaids, or woman, will live on unaffected by his death.As we go through the poem, we will start to question what subject matter is actually playing in his mind? Is it problems regarding his romantic love life, or is it the matters regarding his social life that surrounds him? Prufrock uses a lot of monologue in this poem as to show how he is in a state of isolation in his feeling and mind. Prufrock sees the mermaid, a symbol for all of woman, as epitomizing female perfection and always in the distance, out of his reach. The title itself is ironical as the poem is not like the usual love song. They suffer from a sense of loneliness and isolation and have difficulty in making decisions. I do not think that they will sing to me" (124-125). Alfred Prufrock Summary The city bred speaker of this ironic dramatic monologue, Prufrock, is like most other of his type in that age. Prufrock says, "I have heard the mermaids singing, each to each. The poem closes with abstract imagery centering upon the idea of the mermaid. ![]() Self conscious which according to the Merriam. He calls himself "an attendant lord" (112) who is content to live life as a follower of those who are great and not worthy of the woman he desires. Alfred Prufrock takes the reader inside the mind of a very self conscious man. Prufrock sees himself as a common and ordinary person. Alfred Prufrock" begins with Prufrock's exclamatory remark that "No! I am not Prince Hamlet, nor was meant to be" (111). This unwillingness of the speaker to take risks and his tendency to downplay his importance intensifies in the closing lines. However, he soon remembers how he has seen his "head … brought in upon a platter" (82) and like before, returns to the belief that in making an advance on the woman he would be castigated by society. Later, Prufrock returns to this idea when he questions whether or not he would have the "strength to force the moment" (80) or to further his relationship with the woman. He first sees an attempt as being futile because of his middle-aged "bald spot" (40) and average appearance, which would cause him to be viewed as unappealing. Prufrock's obsessing and eventual decision not to approach the woman indicates a great deal about his character. Amidst this group of people, Prufrock has identified a woman who he takes interest in, but does not approach the woman, rather doubting himself and wondering "do I dare?" (38) and "how should I begin?" (69). He is an elevated gathering of people, perhaps a restaurant, where "the woman come and go / talking of Michelangelo" (13-14). Alfred Prufrock" seems as though Prufrock, the speaker, privately struggles with the decision of whether or not to speak with a woman. The situation of Eliot's "The Love Song of J. ![]()
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